Zhang Boduan · Complete work
Zhang Boduan's Preface
Zhang Boduan's Preface of 5. Read it here for reference, or continue through the entire work without leaving the reader.
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1.嗟夫,人身難得,光景易遷,罔測短脩,安逃業報,不自及早省悟,惟只甘分待終。若臨岐一念有差,墮三塗惡趣,則動經塵劫,無有出期,當此之時,雖悔何及?故老釋以性命學開方便門,教人修種以逃生死。釋氏以空寂為宗,若頓悟圓通,則直超彼岸,如其習漏未盡,則尚徇於有生。老氏以鍊養為真,若得其要樞,則立躋聖位,如其未明本性,則猶滯於幻形。其次,《周易》有窮理盡性至命之辭,《魯語》有毋意必固我之說,此又仲尼極臻乎性命之奧也。然其言之常略而不至於詳者,何也?蓋欲序正人倫,施仁義禮樂之教,故於無為之道未嘗顯言,但以命術寓諸《易》象,性法混諸微言耳。至於《莊子》推窮物累逍遙之性,《孟子》善養浩然之氣,皆切幾之。迨夫漢魏伯陽引《易》道交構之體,作《參同契》以明大丹之作用,唐忠國師於語錄,首敘老莊言以顯至道之本末,如此,豈非教雖分三,道乃歸一。奈何後世黃緇之流,各自專門,互相非是,致使三家宗要,迷沒邪歧,不能混一而同歸矣。且今人以道門尚於修命,而不知修命之法理出兩端,有易遇而難成者,有難遇而易成者。如鍊五芽之氣,服七耀之光,注想按摩,納清吐濁,念經持呪,噀水叱符,叩齒集神,休妻絕粒,存神閉息,運眉問之思補腦還精,習房中之術以至服鍊金石草木之類,皆易遇而難成。已上諸法,於修身之道,率多滅裂,故施力雖多,而求效莫驗。若勤心苦志,日夕修持,止可以辟病,免其非橫,一旦不行,則前功漸棄,此乃遷延歲月,事必難成,欲望一得永得,還嬰返老,變化飛昇,不亦難乎?深可痛傷。蓋近世修行之徒,妄有執著,不悟妙法之真,却怨神仙謾語。殊不知,成道者皆因鍊金丹而得,恐泄天機,遂托數事為名。其中惟閉息一法,如能忘機絕慮,即與二乘坐禪頗同,若勤而行之,可以出定出神。奈何精神屬陰,宅舍難固,不免長用遷徙之法。既未得金汞還返之道,又豈能迴陽換骨,白日而昇天哉?夫鍊金液還丹者,則難遇而易成。要須洞曉陰陽,深達造化,方能超二氣於黃道,會三性於元宮,攢簇五行,合和四象,龍吟虎嘯,夫倡婦隨,玉鼎湯煎,金爐火熾,始得玄珠有象,太乙歸真,都來片餉工夫,永保無窮逸樂。至若防危慮險,慎於運用抽添,養正持盈,要在守雌抱一,自然復陽生之氣,剝陰殺之形,節氣既周,脫胎神化,名題仙籍,位號真人。此乃大丈夫功成名遂之時也。今之學者,有取鉛汞為二氣,指藏府為五行,分心腎為坎離,以肝肺為龍虎,用神氣為子母,執津液為鉛汞,不識浮沉,寧分主客?何異認他財為己物,呼別姓為親兒,又豈知金木相剋之幽微,陰陽互用之奧妙?是皆日月失道,鉛汞異鑪,欲望結成還丹,不亦遠乎?僕幼親善道,涉獵三教經書,以至刑法書筭、醫卜戰陣、天文地理、吉凶死生之術,靡不留心詳究。惟金丹一法,閱盡羣經及諸家歌詩論契,皆云日魂月魄。庚虎甲龍,水銀朱砂,白金黑錫,坎男離女,能成金液還丹,終不言真鉛真汞是何物色,不說火候法度、溫養指歸。加以後世迷徒恣其臆說,將先聖典教妄行箋注,乖訛萬狀,不唯紊亂仙經,抑亦惑誤後學。僕以至人未遇,口訣難逢,遂至寢食不安,精神疲顇,雖詢求遍于海嶽,請益盡於賢愚,皆莫能通曉真宗,開照心腑。後至熙寧己酉歲,因隨龍圖陸公入成都,以夙志不回,初誠愈恪,遂感真人,授金丹藥物火候之訣。其言甚簡,其要不繁,可謂指流知源,語一悟百,霧開日瑩,塵盡鑑明,校之仙經,若合符契。因念世之學仙者十有八九,而達真要者未聞二一,僕既遇真筌,安敢隱默?罄所得,成律詩九九八十一首,號曰《悟真篇》。內七言四韻一十六首,以表二八之數,絕句六十四首,按《周易》諸卦,五言一首,以象太乙,續添《西江月》一十二首,以周歲律。其如鼎器尊卑、藥物斤兩、火候進退,主客後先,存亡有無、吉凶悔吝,悉備其中矣。於本源真覺之性有所未盡,又作為歌頌、樂府、及雜言等,附之卷末,庶幾達本明性之道盡於此矣。所期同志者,覽之則見末而悟本,捨妄以從真。時熙寧乙卯歲旦,天台張伯端平叔敘。
Musean translation
Mouseia’s complete machine-assisted Musean translation, made directly from the Chinese Wikisource transcription of the Daozang text (revision 2596349), with one pentasyllabic poem missing there supplied from the Siku quanshu Wuzhen pian zhushu, covering the whole work: the preface, sixteen octaves, sixty-four quatrains, the pentasyllabic poem, twelve Xijiangyue songs with their supplement, five coda quatrains and ‘Reading the Cantongqi’, 5,083 characters, for fidelity, clarity, imagery and cadence.
1 Alas! The human body is hard to obtain, and our days swiftly pass. We cannot measure the length of our lives; how can we escape the recompense of our deeds? If we do not awaken in good time, we merely resign ourselves to waiting for the end. Should a single thought go astray at the parting of the ways and plunge us into the three evil paths, we may pass through countless eons without any prospect of release. What use would remorse be then? Thus the teachings of Laozi and the Buddha opened the gate of expedient means through the study of nature and life, instructing people in cultivation to escape birth and death. The Buddhists take emptiness and stillness as their principle: sudden, complete awakening brings one directly to the farther shore, but if habitual defilements remain, one is still bound to rebirth. The followers of Laozi take refinement and nurture as their truth: whoever grasps the essential key immediately ascends to the rank of sages, but whoever has not understood original nature remains entangled in the illusory body. Moreover, the Book of Changes speaks of “exhausting principle, fulfilling nature, and arriving at destiny”; the sayings of Lu speak of “no conjectures, no insistence, no obstinacy, no self.” Thus Confucius, too, reached the deepest mysteries of nature and life. Why, then, are his words generally brief rather than detailed? Because he sought to order human relations and teach humanity, righteousness, ritual, and music, he did not explicitly speak of the Way of nonaction. Instead, he concealed the arts of life within the images of the Changes and the methods of nature within subtle sayings. Zhuangzi's probing of the burdens of things and the nature of free wandering, and Mencius's skill in nurturing the vast, flowing breath, also come close to the essential point. Later, in the Han, Wei Boyang drew upon the interwoven patterns of the Way of the Changes and wrote the Cantongqi to illuminate the workings of the Great Elixir. The Tang dynasty National Preceptor Zhong first set forth the sayings of Laozi and Zhuangzi in his recorded discourse to reveal the beginning and end of the supreme Way. Is it not clear that, though the teachings are divided into three, their Way returns to one? Yet later generations of Daoists and Buddhists each clung to their own school and condemned the others. Thus the essential principles of all three traditions have been lost in errant paths, unable to merge and return together.Now people suppose that the Daoist school prizes the cultivation of life, without realizing that the methods for cultivating life fall into two kinds: those easy to encounter but hard to accomplish, and those hard to encounter but easy to accomplish. Refining the breath of the five sprouts, taking in the light of the seven luminaries, visualization and massage, breathing in the pure and breathing out the turbid, reciting scriptures and sustaining spells, spraying water and commanding talismans, clicking the teeth to gather spirits, abandoning one's wife and abstaining from grain, preserving the spirits and holding the breath, directing thought between the brows to replenish the brain and return the essence, practicing bedroom arts, and even ingesting and refining metals, minerals, herbs, and trees: all are easy to encounter but hard to accomplish. Most of these methods are inadequate for cultivating the body. Though much effort is spent on them, their results never prove reliable. If pursued with painstaking resolve, day and night, they can at best ward off illness and prevent untimely harm. Once the practice stops, its earlier gains gradually vanish. Years are drawn out in a task that must be hard to complete. How much harder to hope to obtain something once and possess it forever, return to infancy and reverse old age, transform oneself and fly upward! It is deeply lamentable. Practitioners in recent times cling to delusions; not understanding the truth of the wondrous method, they accuse the immortals of empty talk. They fail to realize that all who attained the Way did so by refining the golden elixir, but, fearing to disclose heaven's secret, gave other practices as a pretext. Among them, only holding the breath, if one can forget contrivance and put an end to thoughts, bears some resemblance to the meditation of the Two Vehicles; practiced diligently, it can lead one out of concentration and send forth the spirit. But spirit and essence belong to yin, and their dwelling is difficult to secure; one must continually resort to moving house. Without the way of returning gold and mercury, how could one restore yang, exchange one's bones, and ascend to heaven in broad daylight?Refining the golden liquor and returned elixir, by contrast, is hard to encounter but easy to accomplish. One must thoroughly understand yin and yang and deeply comprehend transformation; only then can one raise the two breaths above the yellow path, bring the three natures together in the primal palace, gather the five phases, and unite the four images. Dragon sings, tiger roars; husband leads and wife follows. The jade cauldron boils; the golden furnace blazes. At last the dark pearl takes shape and the Supreme One returns to the true. All this takes only a moment's work, securing boundless joy forever. As for guarding against danger, carefully drawing off and adding in, nurturing what is right and preserving fullness, the crucial thing is to keep to the feminine and embrace the One. Naturally the breath of returning yang will arise and strip away the deadly form of yin. When the seasonal breaths have completed their cycle, one leaves the womb and undergoes divine transformation: one's name is entered on the rolls of immortals, and one's rank is that of a True Person. This is the moment when a great person has achieved both work and renown.Today's students take lead and mercury to be the two breaths, identify the organs as the five phases, divide heart and kidneys into Li and Kan, make liver and lungs dragon and tiger, take spirit and breath for mother and child, and insist that bodily fluids are lead and mercury. They do not recognize what floats and what sinks; how then could they distinguish host from guest? How is this different from claiming another's wealth as one's own, or calling a stranger's child one's son? How could they know the hidden intricacies of metal and wood overcoming each other, or the marvel of yin and yang working through each other? Their sun and moon have lost their courses, their lead and mercury lie in different furnaces. Is it not far-fetched to hope to make the returned elixir this way?From youth I was drawn to the Way and ranged through the scriptures of the three teachings, as well as law and punishment, writing and calculation, medicine and divination, military strategy, astronomy and geography, and the arts concerning good fortune, misfortune, life, and death; there was none I did not investigate closely. As for the golden elixir alone, I read all the scriptures and the various masters' songs, poems, treatises, and covenants. All spoke of the sun's soul and moon's spirit, the geng tiger and jia dragon, mercury and cinnabar, white gold and black tin, the Kan male and Li female, as able to make the golden liquor and returned elixir. Yet none ever said what true lead and true mercury actually are, or explained the rules of the fire's timing and the direction of gentle nurture. Later deluded followers indulged their own speculation and recklessly annotated the sacred teachings of the former sages. Their errors took ten thousand forms: they not only disordered the scriptures of immortality but also misled later students. Because I had not met an accomplished master and could not find the oral instructions, I lost all ease in sleeping and eating, and my spirit grew weary. Though I searched across seas and mountains and sought instruction from wise and foolish alike, none could explain the true teaching and illuminate my heart.Then in the jiyou year of Xining I followed Lord Lu of the Dragon Diagram to Chengdu. As my old resolve had never wavered and my first sincerity grew ever stronger, I moved a True Person to impart the instructions for the substances and fire's timing of the golden elixir. His words were very few, his essentials uncomplicated: one could follow the stream and know its source, hear one thing and understand a hundred. It was as if fog lifted and the sun shone clear, dust fell away and the mirror gleamed. Compared with the scriptures of immortality, his words matched like the two halves of a tally. I reflected that eight or nine in ten of the people of this world study immortality, but I had not heard of even one or two who reached its true essentials. Having found the true key, how could I dare keep silent? I poured out all I had gained in eighty-one regulated poems, nine times nine, entitled Chapters on Awakening to Truth. Among them are sixteen seven-character poems of four rhymes, representing the number two times eight; sixty-four quatrains corresponding to the hexagrams of the Book of Changes; and a single five-character poem symbolizing the Supreme One. I later added twelve songs to the tune “Moon over the Western River,” completing the year's cycle. All the matters of the cauldron and vessel, their higher and lower roles, the weights of the substances, the advance and retreat of the fire's timing, the order of host and guest, presence and absence, and good fortune, misfortune, regret, and shame are included. As for what remained unsaid about the true awakening of original nature, I also wrote songs, hymns, song lyrics, and pieces in varied meters, appended to the end of the book. I hope the way to reach the root and illuminate nature is thus fully expressed. I hope that kindred spirits, on reading it, will see the branches and awaken to the root, abandon illusion and follow truth. Prefaced by Zhang Boduan, Pingshu of Tiantai, on New Year's Day of the yimao year of Xining.
Plain English translation
Mouseia’s complete Plain English edition, made independently and directly from the same original, covering the whole work: the preface, sixteen octaves, sixty-four quatrains, the pentasyllabic poem, twelve Xijiangyue songs with their supplement, five coda quatrains and ‘Reading the Cantongqi’, 5,083 characters.
1 Alas, a human body is hard to obtain, and time passes easily. We cannot predict how long we will live, and how can we escape the results of our deeds? Yet people fail to wake up early and simply accept their lot and wait for death. If one thought goes wrong at the crossroads of death and we fall into the three bad paths of rebirth, we may pass through countless ages with no time of escape. What good will regret do then? So the teachings of Laozi and the Buddha opened ways of practice concerning our nature and life, teaching people to cultivate the means to escape birth and death. The Buddhists take emptiness and stillness as their main principle. With sudden, complete understanding, one crosses directly to the other shore; if ingrained faults remain, one still follows the cycle of birth. The followers of Laozi take refinement and nourishment as the true practice. If one grasps its essential point, one can immediately reach the rank of a sage; if one has not understood one's basic nature, one remains caught in an illusory body. The Book of Changes also speaks of examining principles, fulfilling one's nature, and reaching life's destiny. The Sayings of Lu speaks of having no private opinions, fixed expectations, stubbornness, or self-centeredness. These too show Confucius's deep understanding of nature and life. Why, then, are his statements usually brief rather than detailed? He wanted to put human relationships in proper order and teach kindness, justice, ritual, and music. He therefore never spoke openly of the way of nonaction, but placed the arts of life within the images of the Changes and mixed teachings about nature into his brief sayings. Zhuangzi's inquiry into how things burden us and how our nature can move freely, and Mencius's skill in nurturing an expansive vital energy, both come close to the point. Later, in the Han, Wei Boyang used the structure of the Changes in which the way joins and combines things to write the Cantongqi and explain how the great elixir works. The Tang master Zhong, in his recorded sayings, began by recounting the words of Laozi and Zhuangzi to show the basis and course of the highest way. Does this not mean that although the teachings are divided into three, the way comes back to one? Unfortunately, later Taoist and Buddhist practitioners each kept to their own school and criticized the others. Thus the main teachings of the three schools became lost among wrong paths, unable to join and reach the same end. People today think the Taoist school concentrates on cultivating life, but do not realize its methods take two forms: those easy to encounter but hard to complete, and those hard to encounter but easy to complete. Refining the breath of the five sprouts, taking in the light of the seven luminaries, concentrating the mind and massaging the body, breathing in clean air and breathing out stale air, reciting scriptures and spells, spraying water and commanding talismans, clicking the teeth to gather the spirits, leaving one's wife and stopping food, visualizing spirits and holding the breath, directing the thought between the eyebrows to replenish the brain and restore the essence, practicing sexual arts, and consuming or refining metals, stones, plants, and trees: all these are easy to encounter but hard to complete. Most of these methods are inadequate for cultivating the body. Though one makes great efforts, one sees no reliable results. If one practices diligently day and night, they can only ward off illness and avoid unexpected harm. Stop for a day, and previous gains gradually disappear. Time drags on, and the task is bound to be difficult. How much harder to gain a lasting achievement, return to infancy and turn back old age, transform, and fly up to heaven! This is deeply distressing. Practitioners of recent times cling blindly to their views, fail to understand the true, subtle method, and blame the immortals for making empty claims. They do not know that everyone who attained the way did so by refining the golden elixir, but, afraid to reveal heaven's secrets, used other practices as cover. Of these, only holding the breath, if one can forget one's intentions and stop thinking, somewhat resembles the Buddhists' meditation. Persistent practice can bring one out of meditative absorption and release the spirit. But spirit belongs to yin, and its dwelling cannot be made secure; one cannot avoid repeatedly moving it to another home. Without attaining the way of returning gold and mercury, how could one bring back yang, change one's bones, and rise to heaven in daylight? Refining the returned elixir of liquid gold, however, is hard to encounter but easy to complete. One must thoroughly understand yin and yang and the processes of nature. Only then can one lift the two energies onto the yellow path, bring the three natures together in the original palace, gather the five phases and unite the four forms. The dragon calls and the tiger roars; the husband leads and the wife follows. Liquid boils in the jade cauldron, and fire blazes in the gold furnace. Then the dark pearl begins to take shape and the Great One returns to its true state. All this takes only a short while and ensures endless ease and joy. To guard against dangers, one must handle removal and addition carefully, nourish what is right, and maintain fullness. The key is to keep the receptive female principle and hold to the one. Then the energy of returning yang naturally grows and the harmful form of yin is stripped away. Once the cycle of seasons is complete, one leaves the womb and undergoes spiritual transformation; one's name enters the register of immortals and one gains the rank of a true person. This is when a person has completed the work and gained the reward. Some students today take lead and mercury to mean the two energies, the internal organs to mean the five phases, the heart and kidneys to mean Kan and Li, and the liver and lungs to mean dragon and tiger. They use spirit and energy for mother and child, and mistake bodily fluids for lead and mercury. They cannot tell floating from sinking, much less host from guest. This is like claiming someone else's property as your own and calling a stranger's child your own. How could they know the hidden workings of metal and wood overcoming each other or the subtle mutual use of yin and yang? For all of them, sun and moon are off course, lead and mercury are in separate furnaces. Hoping to form the returned elixir in this way is far from realistic! From childhood I was drawn to the way. I read the scriptures of the three teachings, and carefully studied law, writing and calculation, medicine and divination, military formations, astronomy, geography, and arts concerned with fortune, misfortune, life, and death. In my search for the method of the golden elixir, I read all the scriptures and the songs, poems, discussions, and treatises of many authors. All spoke of the sun's soul and moon's spirit, the tiger of geng and dragon of jia, mercury and cinnabar, white gold and black tin, the boy of Kan and girl of Li, as the means of making the returned elixir of liquid gold. But none said what true lead and true mercury actually were, or explained the rules for timing the fire or how to warm and nurture the result. Later confused followers added their own guesses and wrongly annotated the teachings of the former sages. Their countless errors not only confused the immortals' scriptures but misled later students. Since I had not met an accomplished teacher and could not find oral instructions, I could neither sleep nor eat peacefully, and my spirit grew exhausted. Though I sought answers everywhere, from sea to mountains, and asked everyone, wise and foolish, no one could explain the true teaching and open my understanding. Then, in the jiyou year of the Xining era, I accompanied Lord Lu of the Dragon Diagram Office to Chengdu. Because I held fast to my old aim and grew even more sincere, I moved a true person to give me the instructions for the ingredients and timing of the golden elixir. His words were very simple and their essential point was not complicated. By pointing to the current, he let me know its source; by saying one thing, he made me understand a hundred. It was like fog clearing and sunlight shining, or dust wiped away from a mirror. Compared with the immortals' scriptures, his words fitted them like two halves of a tally. I reflected that eight or nine out of ten people in the world study immortality, but hardly one or two have understood the true essentials. Having found the true key, how could I keep silent? I put all I learned into eighty-one regulated poems, nine times nine, and called them Chapters on Awakening to Reality. Within them are sixteen eight-line poems with seven characters per line, representing two eights; sixty-four quatrains, corresponding to the hexagrams of the Book of Changes; and one five-character poem, symbolizing the Great One. I added twelve songs to the tune Xijiangyue to complete the year's cycle. The poems cover the relative standing of cauldron and vessel, the weights of the ingredients, how to advance and withdraw the fire, which is host and which is guest and which comes first, existence and nonexistence, and good fortune, bad fortune, regret, and trouble. Because I had not fully dealt with the true awareness of our original nature, I also composed songs, lyrics, and other verses and attached them at the end of the volume, hoping thereby to give a full account of understanding the source and knowing our nature. I hope like-minded readers will see the outward detail and understand its basis, reject illusion, and follow what is true. Written by Zhang Boduan, Pingshu, of Tiantai, on New Year's Day of the yimao year of the Xining era.