C — Corps
Original French
De même que nous ne sçavons ce que c’est qu’un esprit, nous ignorons ce que c’est qu’un corps: nous voyons quelques propriétés, mais quel est ce sujet en qui ces propriétés résident? il n’y a que des corps, disaient Démocrite & Epicure; il n’y a point de corps, disaient les disciples de Zénon d’Elée.
L’Evêque de Cloine, Berklay, est le dernier, qui par cent sophismes captieux a prétendu prouver que les corps n’existent pas; ils n’ont, dit-il, ni couleurs, ni odeurs, ni chaleur; ces modalités sont dans vos sensations, & non dans les objets: il pouvait s’épargner la peine de prouver cette vérité, elle était assez connuë; mais de là il passe à l’étenduë, à la solidité qui sont des essences du corps, & il croit prouver qu’il n’y a pas d’étenduë dans une piéce de drap verd, parce que ce drap n’est pas verd en effet; cette sensation du verd n’est qu’en vous, donc cette sensation de l’étenduë n’est aussi qu’en vous. Et après avoir aussi détruit l’étenduë, il conclut que la solidité qui y est attachée tombe d’elle-même, & qu’ainsi il n’y a rien au monde que nos idées. De sorte, que selon ce docteur, dix mille hommes tués par dix mille coups de canon, ne sont dans le fonds que dix mille appréhensions de nôtre ame.
Il ne tenait qu’à Mr. l’Evêque de Cloine de ne point tomber dans l’excès de ce ridicule; il croit montrer qu’il n’y a point d’étenduë, parce qu’un corps lui a paru avec sa lunette quatre fois plus gros qu’il ne l’était à ses yeux, & quatre fois plus petit à l’aide d’un autre verre. De là il conclut qu’un corps ne pouvant à la fois avoir quatre pieds, seize pieds, & un seul pied d’étenduë, cette étenduë n’existe pas; donc il n’y a rien. Il n’avait qu’à prendre une mesure, & dire, De quelque étenduë qu’un corps me paraisse, il est étendu de tant de ces mesures.
Il lui était bien aisé de voir qu’il n’en est pas de l’étenduë & de la solidité comme des sons, des couleurs, des saveurs, & des odeurs &c. Il est clair que ce sont en nous des sentiments excités par la configuration des parties; mais l’étenduë n’est point un sentiment. Que ce bois allumé s’éteigne, je n’ai plus chaud; que cet air ne soit plus frappé, je n’entends plus; que cette rose se fane, je n’ai plus d’odorat pour elle; mais ce bois, cet air, cette rose, sont étendus sans moi. Le paradoxe de Berklai ne vaut pas la peine d’être réfuté.
Il est bon de sçavoir ce qui l’avait entraîné dans ce paradoxe. J’eus, il y a longtemps, quelques conversations avec lui; il me dit que l’origine de son opinion venait de ce qu’on ne peut concevoir ce que c’est que ce sujet qui reçoit l’étenduë. Et en effet, il triomphe dans son livre; quand il demande à Hilas ce que c’est que ce sujet, ce substratum, cette substance? C’est le corps étendu, répond Hilas; alors l’Evêque, sous le nom de Philonoüs, se moque de lui; & le pauvre Hilas voyant qu’il a dit que l’étenduë est le sujet de l’étenduë, & qu’il a dit une sotise, demeure tout confus, & avoüe qu’il n’y comprend rien, qu’il n’y a point de corps, que le monde matériel n’éxiste pas, qu’il n’y a qu’un monde intellectuel.
Philonoüs devait dire seulement à Hilas, Nous ne sçavons rien sur le fonds de ce sujet, de cette substance étenduë, solide, divisible, mobile, figurée &c. je ne la connais pas plus que le sujet pensant, sentant & voulant; mais ce sujet n’en existe pas moins, puisqu’il a des propriétés essentielles dont il ne peut être dépouillé.
Nous sommes tous comme la plûpart des dames de Paris; elles font grande chère sans sçavoir ce qui entre dans les ragouts; de même nous jouïssons des corps, sans sçavoir ce qui les compose. De quoi est fait le corps? de parties, & ces parties se résolvent en d’autres parties. Que sont ces dernières parties? Toujours des corps; vous divisez sans cesse, & vous n’avancez jamais.
Enfin, un subtil philosophe remarquant qu’un tableau est fait d’ingrédiens, dont aucun n’est un tableau, & une maison de matériaux dont aucun n’est une maison, il imagina (d’une façon un peu différente) que les corps sont bâtis d’une infinité de petits êtres qui ne sont pas corps; & cela s’appelle des monades. Ce systême ne laisse pas d’avoir son bon; & s’il était révélé, je le croirais très possible; tous ces petits êtres seraient des points mathématiques, des espèces d’ames qui n’attendraient qu’un habit pour se mettre dedans. Ce serait une métempsicose continuelle; une monade irait tantôt dans une baleine, tantôt dans un arbre, tantôt dans un joueur de gobelets. Ce système en vaut bien un autre; je l’aime bien autant que la déclinaison des atômes, les formes substantielles, la grace versatile, & les vampires de Don Calmet.
Musean translation
Mouseia’s complete machine-assisted Musean translation of the 73 articles in the 1764 first edition, made directly from the French and reviewed against the scan-collated French text. The author’s notes, quotations and verse are retained. Historical ethnic labels, including offensive terms, are retained from the 1764 text.
Just as we do not know what a spirit is, we do not know what a body is. We see certain properties; but what is the subject in which those properties reside? There are only bodies, said Democritus and Epicurus; there are no bodies, said the disciples of Zeno of Elea.
Berkeley, Bishop of Cloyne, is the latest to have claimed, through a hundred specious sophisms, to prove that bodies do not exist. They have, he says, neither colors, nor smells, nor heat; these qualities are in your sensations, not in the objects. He could have spared himself the trouble of proving that truth; it was well enough known. But from there he passes to extension and solidity, which are essential properties of body, and thinks he proves that a piece of green cloth has no extension because the cloth is not actually green: this sensation of green exists only in you, therefore this sensation of extension also exists only in you. And after thus destroying extension, he concludes that the solidity attached to it falls away of itself, and consequently nothing in the world exists except our ideas. So that, according to this doctor, ten thousand men killed by ten thousand cannon shots are fundamentally nothing but ten thousand apprehensions of our soul.
The Bishop of Cloyne had only himself to blame for falling into such an excess of absurdity. He thinks he shows that extension does not exist because a body appeared four times larger through his telescope than to his naked eye, and four times smaller through another lens. From this he concludes that, since a body cannot have an extension of four feet, sixteen feet, and one foot at the same time, this extension does not exist; therefore nothing exists. He had only to take a measuring rule and say: “Whatever size a body may appear to me, its extension is so many of these measures.”
It was easy enough for him to see that extension and solidity are not like sounds, colors, tastes, smells, etc. Clearly these last are feelings aroused in us by the arrangement of parts; but extension is not a feeling. Let this burning wood go out: I no longer feel hot. Let this air cease to be struck: I no longer hear. Let this rose fade: I no longer smell it. But this wood, this air, this rose have extension without me. Berkeley’s paradox is not worth the trouble of refuting.
It is worth knowing what led him into this paradox. Long ago I had several conversations with him. He told me that his opinion originated in our inability to conceive what this subject is that receives extension. And indeed he triumphs in his book when he asks Hylas what this subject, this substratum, this substance is. “It is extended body,” Hylas answers. Then the bishop, under the name of Philonous, mocks him; and poor Hylas, seeing that he has said extension is the subject of extension, and has said something foolish, is utterly confounded and admits that he understands nothing about it, that there are no bodies, that the material world does not exist, that there is only an intellectual world.
Philonous ought merely to have told Hylas: “We know nothing of the underlying nature of this subject, this extended, solid, divisible, movable, shaped substance, etc. I know it no better than I know the thinking, feeling, willing subject; but this subject exists nonetheless, since it has essential properties of which it cannot be stripped.”
We are all like most of the ladies of Paris: they dine splendidly without knowing what goes into their stews. In the same way we enjoy bodies without knowing what composes them. What is body made of? Parts; and these parts resolve into other parts. What are these last parts? Still bodies. You divide without ceasing, and never advance.
At last a subtle philosopher, observing that a painting is made of ingredients none of which is a painting, and a house of materials none of which is a house, imagined, in a somewhat different fashion, that bodies are built of an infinity of little beings that are not bodies; and these are called monads. This system has its merits, and if it were revealed, I should think it quite possible. All these little beings would be mathematical points, kinds of souls waiting only for a coat to slip into. It would be a continual transmigration: a monad would go now into a whale, now into a tree, now into a conjurer. This system is as good as another; I like it quite as much as the swerve of atoms, substantial forms, resistible grace, and Dom Calmet’s vampires.
Plain English translation
Mouseia’s complete machine-assisted Plain English translation of the same 73 articles, made directly from the French and reviewed against the scan-collated French text. The author’s notes, quotations and verse are retained. Historical ethnic labels, including offensive terms, are retained from the 1764 text.
We don’t know what a spirit is, or what a body is. We see some properties, but what is the thing that has them? “Only bodies exist,” said Democritus and Epicurus. “No bodies exist,” said the followers of Zeno of Elea.
Berkeley, bishop of Cloyne, is the latest to claim he can prove bodies don’t exist. He uses a hundred tricky, misleading arguments. “Bodies,” he says, “have no colors, smells, or heat. These qualities are in your sensations, not in the objects.” He could have saved himself the trouble of proving that truth. People knew it well enough. But then he turns to extension and solidity, essential features of a body. A piece of green cloth isn’t really green. He thinks that proves it doesn’t take up space. Your sensation of green is only in you. So your sensation of extension is only in you too. That’s how he does away with extension. Solidity goes with it, so he concludes that solidity falls away by itself. That leaves nothing in the world but our ideas. According to this learned man, ten thousand men killed by ten thousand cannon shots are really just ten thousand perceptions in our soul.
The bishop of Cloyne could easily have avoided such a ridiculous extreme. Through his telescope, a body looked four times bigger than to his naked eye. Through another lens, it looked four times smaller. He thinks that shows there’s no extension. A body can’t measure four feet, sixteen feet, and one foot all at once. So, he concludes, that extension doesn’t exist. Nothing exists, then. He only had to take a unit of measurement and say, “Whatever size a body seems to be, it measures this many of these units.”
He could easily have seen that extension and solidity aren’t like sounds, colors, tastes, smells, and the rest. Those are clearly sensations the arrangement of parts produces in us. But extension isn’t a sensation. If this burning wood goes out, I stop feeling heat. If this air stops being struck, I stop hearing anything. If this rose withers, I stop smelling it. But the wood, air, and rose take up space without me. Berkeley’s paradox isn’t worth disproving.
It’s worth knowing what led him into this paradox. I had several conversations with him a long time ago. He said his opinion started with this problem: we can’t understand the underlying thing that has extension. Indeed, in his book he triumphs when he questions Hylas. “What is this underlying thing, this substratum, this substance?” “It’s the extended body,” Hylas answers. The bishop, calling himself Philonous, laughs at him. Poor Hylas sees he’s made extension the underlying thing that has extension. He’s said something foolish. He’s thoroughly confused and admits he understands nothing about it. There are no bodies, the material world doesn’t exist, and only a world of the mind exists.
Philonous should simply have told Hylas, “We don’t know the true nature of this underlying thing. It takes up space, is solid, can be divided and moved, has a shape, and more. I know it no better than the underlying thing that thinks, feels, and wills. But it exists all the same. It has essential properties that can’t be taken from it.”
We’re all like most of the ladies of Paris. They eat fine dinners without knowing what goes into the stews. Likewise, we enjoy bodies without knowing what they’re made of. What’s a body made of? Parts. Those parts break down into other parts. What are those final parts? Still bodies. You keep dividing and never get any further.
Finally, a subtle philosopher noticed how a painting is made. Not one of its ingredients is a painting. And not one of a house’s building materials is a house. He imagined a slightly different kind of construction. Bodies are built from infinitely many little beings that aren’t themselves bodies. These are called monads. This system does have its good side. If it were revealed, I’d believe it was quite possible. All these little beings would be mathematical points. They’d be kinds of souls, just waiting for clothes to get into. Souls would be constantly moving from one body to another. A monad would go sometimes into a whale, sometimes into a tree, sometimes into a conjurer. This system’s as good as any other. I like it just as much as the swerving of atoms, substantial forms, grace that can be accepted or resisted, and Don Calmet’s vampires.
About this section
C — Corps is part of Pocket Philosophical Dictionary by Voltaire. This page sets the French original beside 2 direct-source translations, so any line can be checked against the source. It is article 24 of 73 in the work, which is kept in the European tradition.
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