Ovid · Complete work
Apollo and Daphne
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Primus amor Phoebi Daphne Peneia, quem nonfors ignara dedit, sed saeva Cupidinis ira,Delius hunc nuper, victa serpente superbus,viderat adducto flectentem cornua nervo'quid' que 'tibi, lascive puer, cum fortibus armis?'dixerat: 'ista decent umeros gestamina nostros,qui dare certa ferae, dare vulnera possumus hosti,qui modo pestifero tot iugera ventre prementemstravimus innumeris tumidum Pythona sagittis.tu face nescio quos esto contentus amoresinritare tua, nec laudes adsere nostras!'filius huic Veneris 'figat tuus omnia, Phoebe,te meus arcus' ait; 'quantoque animalia ceduntcuncta deo, tanto minor est tua gloria nostra.'dixit et eliso percussis aere pennisinpiger umbrosa Parnasi constitit arceeque sagittifera prompsit duo tela pharetradiversorum operum: fugat hoc, facit illud amorem;quod facit, auratum est et cuspide fulget acuta,quod fugat, obtusum est et habet sub harundine plumbum.hoc deus in nympha Peneide fixit, at illolaesit Apollineas traiecta per ossa medullas;protinus alter amat, fugit altera nomen amantissilvarum latebris captivarumque ferarumexuviis gaudens innuptaeque aemula Phoebes:vitta coercebat positos sine lege capillos.multi illam petiere, illa aversata petentesinpatiens expersque viri nemora avia lustratnec, quid Hymen, quid Amor, quid sint conubia curat.saepe pater dixit: 'generum mihi, filia, debes,'saepe pater dixit: 'debes mihi, nata, nepotes';illa velut crimen taedas exosa iugalespulchra verecundo suffuderat ora ruboreinque patris blandis haerens cervice lacertis'da mihi perpetua, genitor carissime,' dixit'virginitate frui! dedit hoc pater ante Dianae.'ille quidem obsequitur, sed te decor iste quod optasesse vetat, votoque tuo tua forma repugnat:Phoebus amat visaeque cupit conubia Daphnes,quodque cupit, sperat, suaque illum oracula fallunt,utque leves stipulae demptis adolentur aristis,ut facibus saepes ardent, quas forte viatorvel nimis admovit vel iam sub luce reliquit,sic deus in flammas abiit, sic pectore totouritur et sterilem sperando nutrit amorem.spectat inornatos collo pendere capilloset 'quid, si comantur?' ait. videt igne micantessideribus similes oculos, videt oscula, quae nonest vidisse satis; laudat digitosque manusquebracchiaque et nudos media plus parte lacertos;si qua latent, meliora putat. fugit ocior aurailla levi neque ad haec revocantis verba resistit:'nympha, precor, Penei, mane! non insequor hostis;nympha, mane! sic agna lupum, sic cerva leonem,sic aquilam penna fugiunt trepidante columbae,hostes quaeque suos: amor est mihi causa sequendi!me miserum! ne prona cadas indignave laedicrura notent sentes et sim tibi causa doloris!aspera, qua properas, loca sunt: moderatius, oro,curre fugamque inhibe, moderatius insequar ipse.cui placeas, inquire tamen: non incola montis,non ego sum pastor, non hic armenta gregesquehorridus observo. nescis, temeraria, nescis,quem fugias, ideoque fugis: mihi Delphica telluset Claros et Tenedos Patareaque regia servit;Iuppiter est genitor; per me, quod eritque fuitqueestque, patet; per me concordant carmina nervis.certa quidem nostra est, nostra tamen una sagittacertior, in vacuo quae vulnera pectore fecit!inventum medicina meum est, opiferque per orbemdicor, et herbarum subiecta potentia nobis.ei mihi, quod nullis amor est sanabilis herbisnec prosunt domino, quae prosunt omnibus, artes!'Plura locuturum timido Peneia cursufugit cumque ipso verba inperfecta reliquit,tum quoque visa decens; nudabant corpora venti,obviaque adversas vibrabant flamina vestes,et levis inpulsos retro dabat aura capillos,auctaque forma fuga est. sed enim non sustinet ultraperdere blanditias iuvenis deus, utque monebatipse Amor, admisso sequitur vestigia passu.ut canis in vacuo leporem cum Gallicus arvovidit, et hic praedam pedibus petit, ille salutem;alter inhaesuro similis iam iamque teneresperat et extento stringit vestigia rostro,alter in ambiguo est, an sit conprensus, et ipsismorsibus eripitur tangentiaque ora relinquit:sic deus et virgo est hic spe celer, illa timore.qui tamen insequitur pennis adiutus Amoris,ocior est requiemque negat tergoque fugacisinminet et crinem sparsum cervicibus adflat.viribus absumptis expalluit illa citaequevicta labore fugae spectans Peneidas undas'fer, pater,' inquit 'opem! si flumina numen habetis,qua nimium placui, mutando perde figuram!'[quae facit ut laedar mutando perde figuram.]vix prece finita torpor gravis occupat artus,mollia cinguntur tenui praecordia libro,in frondem crines, in ramos bracchia crescunt,pes modo tam velox pigris radicibus haeret,ora cacumen habet: remanet nitor unus in illa.Hanc quoque Phoebus amat positaque in stipite dextrasentit adhuc trepidare novo sub cortice pectusconplexusque suis ramos ut membra lacertisoscula dat ligno; refugit tamen oscula lignum.cui deus 'at, quoniam coniunx mea non potes esse,arbor eris certe' dixit 'mea! semper habebuntte coma, te citharae, te nostrae, laure, pharetrae;tu ducibus Latiis aderis, cum laeta Triumphumvox canet et visent longas Capitolia pompas;postibus Augustis eadem fidissima custosante fores stabis mediamque tuebere quercum,utque meum intonsis caput est iuvenale capillis,tu quoque perpetuos semper gere frondis honores!'finierat Paean: factis modo laurea ramisadnuit utque caput visa est agitasse cacumen.
Mouseia
Mouseia’s complete machine-assisted Musean translation, made directly from all 780 hexameter lines of Book I for fidelity, Ovidian wit, narrative speed, and cadence.
His first love was Daphne, daughter of Peneus, which no blind chance gave, but the cruel wrath of Cupid. The Delian god, still proud from the conquered serpent, had seen him bending his bow with tightened cord, and said: "What business have you, wanton boy, with warlike arms? Arms like those become my shoulders, sure of aim, that never miss the wild beasts, never miss the foe — I, who just now destroyed the swollen Python with countless arrows, covering whole acres of ground. Be content to kindle whatever fires are hidden behind your little torch, and leave glory to me." Venus' son answered: "May your bow hit everything, Phoebus — but my bow shall hit you, and by as much as all living things are less than gods." He spoke, and, flicking his wings in the parted air, a stubborn archer, came to the shaded height of Parnassus, and from his quiver of arrows took out two of opposite work: one drives away, one kindles love.
The one that kindles is of gleaming gold, with a sharp point, well polished: the other blunts, with lead beneath the reed. That one the god drove into Peneus' daughter; this one struck Apollo to the marrow of his pierced bone. At once the one loves, and longs to be united; the other flies from the very name of lover, rejoicing in the depths of shaded woods, in the spoils of wild beasts, like another Diana, a fillet binding her hair that barely lies. Many would have her; she would not have suitors, unmoved and unknown to any man, roaming the pathless thickets, caring nothing for Hymen, nor for what love means. Often would her father say: "You owe me a son-in-law, my child." Often her father: "You owe me grandchildren, my daughter." She, like a crime, blushing at the very torch of marriage, would hang her fair head upon her father's neck, and beg him with the one word "let me be forever a maiden, Diana's father, grant me this": yet her beauty forbade what she desired.
Her body glowed with a beauty that did not need it. She was seen — and was loved — and was seized upon by him who loved; and he follows her flight with hope, and, as his hope flies faster than his speech, the lover is lover and pursuer. As when a Gallic hound has seen a hare in an open field, and runs with flying feet toward his promised prey, but the hare flees: he is close, he thinks he has her, his muzzle is nearly in her very flanks — she wonders if she's caught, and twists away from his snap, and is behind him still; because the others stand around her cheering, barking out their hopes; while she flees through the very midst of the teeth. So the god and the girl: his speed is hope, hers is fear.
But he who follows, carried on the wings of love, gives her no rest; presses her flight, coming closer, and his breath is hot upon her scattered hair. Her strength is gone; drained pale by the effort of the wild flight, she sees the waters of her father Peneus, and cries: "Help me, father! If your waters hold divinity, destroy this beauty by which I've pleased too well!" Her prayer was scarcely done, when a heavy numbness seized her limbs; her soft breasts were girt with a thin bark, her hair grew into leaves, her arms into branches; her feet, but now so swift, held fast by sluggish roots; her face was the tree's top: only her shining grace remained. And Phoebus loved her still. He laid his hand upon the trunk, and felt her bosom trembling still in the bark, beneath the new wood; and embraced the branches as if limbs, and kissed the wood, and the wood shrank from his kisses.
And the god said: "But since you cannot be my bride, you shall at least be my own tree. My hair, my lyre, my quiver, laurel, will always hold you. You will attend the Roman leaders, when their joyful voices sing the triumph, and the Capitol sees its long processions. You will stand as faithful guardian at Augustus' gates, before his doors, and keep watch over the oak between. And as my head is ever-young with unshorn hair, so wear, forever, the fresh honor of your leaves." Paean had done: the laurel nodded her new-made branches, and seemed to shake her treetop like a head.
Mouseia
Mouseia’s complete Plain English edition, made independently and directly from all 780 hexameter lines of Book I.
His first love was Daphne, daughter of Peneus — not given by blind chance, but by the cruel anger of Cupid. The Delian god, still proud from his conquest of the serpent, had seen the boy bending his bow with a tightened cord, and said: "What business has a wanton boy with warlike arms? Arms like these befit my shoulders — shoulders sure of aim, that never miss wild beasts, never miss the enemy — I who just now destroyed the swollen Python with countless arrows, covering acres of ground. Be content to kindle whatever hidden fires your little torch holds, and leave glory to me." The son of Venus answered: "May your bow strike everything, Phoebus — but my bow shall strike you. And as much as all living things fall short of gods, by that much is my glory greater." He spoke, and flicking his wings through the parted air, a stubborn archer, he came to the shaded height of Parnassus, and took from his quiver two arrows of opposite work: one drives love away, one kindles it. The one that kindles is of gleaming gold, sharp-pointed, finely polished; the other is blunt, with lead beneath its reed. With that one he struck the daughter of Peneus; with this he pierced Apollo to the marrow of the bone. At once the one loves and longs to be united; the other flees the very name of lover, rejoicing in the depths of shaded woods, in the spoils of wild beasts — a second Diana, a fillet binding her barely-lying hair. Many wished her; she wished no suitor, unmoved, knowing no man, wandering the pathless thickets, caring nothing for Hymen or what love means. Often her father would say: "You owe me a son-in-law, my child." Often her father: "You owe me grandchildren, my daughter." She, hating the wedding torch like a crime, would hang her fair head on her father's neck, and beg him with one word: "Let me be a maiden forever — Diana's father, grant me this." Yet her beauty forbade what she desired: her body glowed with a loveliness that could not hide.
She was seen, and loved, and seized upon by him who loved; and he follows her flight with hope — and his hope flies faster than his words. The lover is lover and pursuer. As when a Gallic hound has seen a hare on the open plain and runs with flying feet toward his promised prey, while the hare flees — he is close upon her, he thinks he has her, his muzzle is almost in her flanks — while she wonders whether she is caught, and twists away from his snapping jaws, and is behind him still; because the others stand around her, cheering, barking out their hopes, and she flees through the very middle of the teeth. So the god and the girl: his speed is hope, hers is fear. But he who follows, carried on the wings of love, gives her no rest — presses her flight, ever closer, his breath hot on her scattered hair. Her strength is gone; pale, drained by the effort of the wild flight, she sees the waters of her father Peneus, and cries: "Help me, father! If your waters hold divinity, destroy this beauty by which I have pleased too well." Her prayer was hardly finished when a heavy numbness seized her limbs: her soft breasts were girded with thin bark, her hair grew into leaves, her arms into branches; her feet, so swift a moment ago, held fast in sluggish roots; her face became the tree's top. Only her shining grace remained. And Phoebus loved her still. He laid his hand upon the trunk and felt her bosom trembling still in the bark, beneath the new wood; he embraced the branches as if they were limbs, and kissed the wood — and the wood shrank from his kisses. And the god said: "But since you cannot be my bride, you shall at least be my tree. My hair, my lyre, my quiver will always hold you, laurel. You will attend the Roman leaders, when the joyful voice sings triumph, and the Capitol watches the long processions. You will stand the surest guardian at Augustus' gates, before his doors, keeping watch over the oak between. And as my head is ever-young with unshorn hair, so wear, forever, the fresh honor of your leaves." Paean had finished: the laurel nodded her new-made branches, and seemed to shake her treetop like a head.